The pirate Sandokan, the Bengal tiger and the East India Company's terror, fighting the British Empire and the ondeskefulla James Brooke, rahjan of Sarawak.

After the capture of the Sultan of Muluder, Sandokan, the sultan's son, leads a guerilla army through treacherous jungles to free his father and defeat Queen Victoria's army of invaders.

A rescue unit within the Chinese Coast Guard are forced to overcome their personal differences to resolve a crisis.

In 1925 Korea, Japanese rulers demand the last remaining tiger be killed. The tiger easily defeats his pursuers until a legendary hunter takes him on.

A newly edited, feature-length documentary with cast and crew interviews and extensive behind the scenes footage

The plot chronicles the exploits of Michael, a teenager who is using marijuana and stealing his father's beer. His younger sister, Corey, is worried about him because he started acting differently. When her piggy bank goes missing, her cartoon tie-in toys come to life to help her find it. After discovering it in Michael's room along with his stash of drugs, the various cartoon characters proceed to work together and take him on a fantasy journey to teach him the risks and consequences a life of drug-use can bring and save the world.

Paul Lamiani, a wizened mobster, is asked to return to duty following the disappearance of secret documents of extreme importance. It is assumed that they are in the hands of a friend of Paul. But the case becomes even more delicate when Lamiani's son is kidnapped.

Years after being banished from her village, a young woman who was accused of being possessed by a tiger devil spirit returns. Partial remake of a 1969 film.

The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

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